(I got this entry off to an illustrious start by almost posting it on my other blog, the one I keep to track my independent design project’s progress. Clever! I’m sure my professors would love to read about what I’m really like, but I’m on a mission to prevent that from happening. They currently think I’m competent for some reason…)
Do you hear that sound?
That strange, low-level noise, the one that’s like a sonic iceberg, only its highest ten percent or so audible to the human ear? The rest of it lingers in a more tactile place, spreading over your skin like fire-warmed honey before working its way inward to nestle among your organs. It’s sweet and rich, and secrets are suspended in its depths, like half-forgotten notes preserved in musical amber; as it progresses, nuances bubble to the surface and erupt into the air, sharp and fervent.
It sounds an awful lot like a girl playing the opening bars of Seven Nation Army ten thousand times over, swearing whenever her fingers slide across the sharp edge of the fretboard too quickly, and it feels an awful lot like the makings of musical satisfaction.
Mmmm, hmmm. Bought me a four-string, I did; his name is Thrum. I’m determined to make good use of it. I don’t know if I’ve mentioned this recently, but I get synesthesia from certain types of music; I can feel it on my skin and sometimes inside my mouth, expressed as texture and temperature. I realized recently that it’s brought on by the bass in a song, so what better instrument could there be for me to play? It was obvious as soon as I sat down with the thing – my skill level’s currently one step above “dying goat spasming on the strings,” but I could feel every note I was playing, both immediately (as the vibrations ran through the strap and into my back) and via whatever weird mechanism my brain uses in such situations. Every good run through a scale made my heart beat faster and my muscles shift of their own volition, and every missed note tasted like dirty metal. It’s excellent feedback, in any case, not unlike Bart Simpson learning not to steal cupcakes by constantly receiving electric shocks…
Bryan’s half-owner of this little number, because he’s also interested in bass, and I figured we could keep each other motivated. I’m trying to feel competitive rather than dispirited by his disgusting amount of talent and training.
It’s important not to compare oneself unfavourably to someone who’s been receiving musical training since he was five, but it’s still totally unfair that he can pick up the first string instrument he’s ever played and start merrily plucking tunes within seconds. *Bryan sits on the couch, frowning in concentration, then launches into song while he plays* “Rollin’, rollin’, rollin, keep them doggies rollin’…” “Hey, can you figure out how to play Seven Nation Army? I want to work on that.” *dum, dum-DUM dum dum DUMMMM DUMMM…* “Dammit, that was just too easy for you.”
I want to start a band one of these days. Right now, it’s looking like all of the members may be engineers and computer science people, so I proposed that we call ourselves “The Bass Case” and reference recursion in all of our songs. It’s a testament to the nerdiness of my companions that they all laughed. :p
It’s so easy for me to get burned out while doing this degree, and I’ve been too bound up in Python and MATLAB and Java to write the ten thousand stories burning holes in my brain. *spasms on the strings* Hopefully music will fill the gap until I have the time to organize my words the way I’d like them, and hey, everybody knows that a good bass riff is key to porn music!









